Monday, February 11, 2013

IDENTITY THEFT gets a release date!


And it's official! Phase 2 of the fight for zombie rights starts APRIL 16! Identity Theft, sequel to Atticus for the Undead, will hit Amazon and Smashwords on that day. It will hit Barnes & Noble, Apple, Sony, and Kobo in the days following.

Can't wait? Try a snippet!

Also, Atticus will be the Book of the Day on E-Reader News Today on Friday, February 15th! Mark your calendars and tell your friends!

Monday, January 14, 2013

"Identity Theft" Sneak Peek

Hi all!

I know it's been a while, but I come bearing good news! Identity Theft, the sequel to the very-popular Atticus for the Undead, is almost upon us! At this point, I'm looking at a mid-March/early April release date. I'll have more details on the exact date in the next week or two, but in the meantime, I thought you guys deserved a sneak peek. First, to your left, you'll see the book's gorgeous cover, designed by my good friend Steven Novak over at Novak Illustration.

And now, a snippet from the book to whet your appetite. Enjoy!







Hunter followed two guards into the jail’s meeting room, where Clifford Hammond waited. Before he’d even stepped into the room, Hunter heard his old buddy say “Oh my God, it’s Mulder!” He chuckled at the use of the old law school nickname—even then, Hunter had made no secret of his intention to practice arcane defense. Cliff approached very close to Hunter and put his arms up as if he were about to tackle Hunter with a bear-hug, but his handcuffed wrists made the task too complicated. The two shook hands as Cliff gave an embarrassed smile.
“Hey, Cliff,” Hunter said, looking his old friend up and down. The man’s hair sat in a disheveled mop atop his head, and his pale skin and rigid posture spoke clearly of fear. He was clad in the standard orange jumpsuit. “How the hell did you get yourself arrested, anyway? The only thing criminal about you is how much money you make—assuming you’re still making the world safe for polluters, that is.” Hunter grinned.
That got a little smile out of Cliff. “I’m still in-house counsel for Varion, if that’s what you mean,” he said, referring to the oil giant. “At least, until they hear about this.” The smile vanished.
“What happened? Come on, let’s sit down.” Hunter gestured to the table and chairs that were the room’s only furnishings. He instantly went into “tape recorder” mode, wanting to get as much information as he could in order to determine how, or if, he could help.
“I, uh, I shot a guy, Hunter,” Cliff said when they were seated, his gaze falling to the metal surface of the table. He visibly struggled to get the next words out. “I killed him. I didn’t want to, but I did.”
Hunter’s brows drew together. “You didn’t want to? You mean it was an accident?”
Cliff shook his head. “This morning when I got to work, I pulled my car into the parking garage and there was somebody standing in my space. He was just standing there, arms crossed over his chest.”
“What did you do?”
“I rolled down my window and told him to move, that I needed to park. When I get out of the car, he handed me a picture of… of the guy I….” Hunter saw tears forming in Cliff’s eyes. Cliff wiped them away with a hand, making an obvious effort to compose himself.
“It’s all right,” Hunter put a hand on his friend’s arm. “So he handed you the picture. Then what?”
“He stared at me with these brown eyes that… they were cold. They were… it was like he didn’t care about anything.” Cliff hugged his arms to his chest, visibly shuddering. “He stared at me and told me to go to the Capitol, right then, and find the guy in the picture, and kill him. He said I’d find the guy in the Capitol Grill. Don’t know how he knew that. He told me I wasn’t going to warn anybody or deviate from the plan in any way. Then he hid a gun inside my briefcase—and walked away. He didn’t give me a name, or a reason, or anything. Just handed me the picture, gave me the orders, and left.”
Hunter tilted his head to one side. “So what’s the missing piece here, Cliff? It’s not like you to go on a homicidal rampage just because a total stranger tells you to. Or ever, for that matter.”
“He put a spell on me.”
Hunter’s posture instantly stiffened. “He what?”
“He hexed me, Hunter.” Cliff reached over and grabbed one of Hunter’s arms, and there was a definite note of pleading in his eyes. “You’ve got to believe me. You’ve got to.”
Hunter held up a hand to calm his friend. “I do, Cliff, it’s just… I don’t practice arcane defense anymore.”
Cliff frowned. “I’d heard that, but I didn’t believe it. That was what you always dreamed of doing.”
“Yeah, well, after the Pollard trial, the dream kind of lost its magic.” Hunter scowled. The trial of Samuel Pollard, in which an intelligent zombie had been charged with eating a woman’s brains, had made national headlines, so Hunter knew that Cliff would understand the reference.
Cliff’s grip on Hunter’s arm tightened, and Hunter saw the pleading in his eyes turn to insistence. “I need you to get the magic back. Otherwise, I’m a dead man.”
“It’s not that simple,” Hunter said, as a memory flashed through his mind for the millionth time in the past year. The hospital. The news report. Chief Garrison’s voice. We are authorized to confirm at this point that the victim is a woman named Kirsten Harper…. “A friend of mine died because of the work I did for arcanes. The Salvation Alliance shot her. In the head.” Hunter’s eyes narrowed.
The horror on Cliff’s face was palpable. Hunter felt the vise grip on his arm loosen. “Oh God… I’m so sorry.”
“Yeah. So am I.” Hunter’s voice dripped with rue.
Cliff sat there briefly in silence. “Well, if I was under a spell, that’s an automatic not-guilty, right?”
Hunter nodded. “Assuming it was involuntary, yeah.’”
Cliff squinted. “Who would voluntarily let someone control them?”
“Some people do. Don’t ask me why, but they do.”
“Well, I didn’t. And proving I was under a spell should be fairly easy, right? I mean, doesn’t magic leave traces?”
Hunter nodded. “You’d need to hire an aurist.”
“A what?”
“An aurist,” Hunter said. “They’re wizards who’ve been trained to see latent magic around a person. Most of the time, if a person gets hexed, it leaves a residue.”
“Most of the time?”
“Supposedly, there are a few wizards and witches who are so powerful that they can cast their spells and not leave any traces.” Seeing Cliff’s eyes widen, Hunter said, “But if they do exist, I’ve never met one. Assuming you can get an aurist to look at you before the residue fades, that should prove you weren’t in control of yourself.”
“And I bet you know a few aurists, don’t you? After working with wizards for as long as you did?”
Hunter nodded. “Yeah, I know a few. Some pretty good ones, actually.”
“So get one of them to take a look at me. We’ll take that to the judge, and the charges will get thrown out, right? They’ve got to let me go, with no motive and the fact that I was under a spell, right?” Hunter thought Cliff sounded as though he were trying to convince himself of what he was saying.
“Probably, but….”
“Please? It’ll be easy. No muss, no fuss, no Salvation Alliance nutjobs. Please?”
Hunter chewed his lip for a moment, considering. And then, “All right. I’ll help you.”

I'm currently raising money on Kickstarter to promote the book. If you liked Atticus and this scene excites you for book 2, or even if you never read Atticus and this scene excites you for the series, please consider chipping in! Anything helps!

Friday, October 19, 2012

Sanity Vacuum cover reveal!

Ladies and gentlemen-

My good friend and colleague, Thea Isis Gregory (that'd be the pretty lady to the right) is releasing a new book just in time for the Christmas holidays! Taking a break from her usual zombie fare, she's unleashing a space sci-fi novel called Sanity Vacuum upon the world!

My job today (and I've chosen to accept it) is to help her drive her readers crazy tantalize her readers by providing a sneak peek at the cover!

And so, without further ado...

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Isn't it a beaut? Here's some info about the book.

The Premise:
Vivian Skye just finished university, and qualified for her first-choice internship. Not many would consider the distant and isolated Extra-Galactic Observatory cushy, but it's a dream come true for Vivian. Hailing from the low-tech planet of Aurora, she studied hard for this opportunity--and to leave her old life, and planet behind.

Her assignment is simple: perform a routine upgrade for the station's supercomputer, quIRK. Her reception isn't a friendly one, and eccentric quIRK becomes her only friend. However, the station's administrator, Bryce Zimmer is obsessed with quIRK--he suspects that the station's computer may have achieved sentience, something explicitly prohibited by the ABACUS Protocol. Compounding their issues, Bryce's traumatic and privileged past makes him distrust Vivian from the beginning. Desperate to keep control, he sabotages quIRK in order to eliminate Vivian. But, his plan threatens to consume the entire station and send them into the unknown void of intergalactic space.

Vivian must struggle to survive not only Bryce's megalomania, but also the emerging artificial super intelligence that is quIRK. Can Vivian and quIRK learn to trust each other and work together, before it's too late?

Sounds like fun, no?

Meanwhile, here's some info on Thea herself:

Thea Gregory is a firm girl from English Western Quebec, a total nerd, and she loves science fiction, zombies and physics. Between marathon cooking sessions, her clerktastic day job, and part time studies, she manages to find time to write. Author of the Zombie Bedtime Stories, her debut sci-fi novel, Sanity Vacuum, releases December 6, 2012. Thea's blog can be found at http://nerdygnome.wordpress.com.

So, in summary, I'm super-excited about this one, and you should be too. Tell all your friends about the gorgeous cover! Let's help make Thea's release day a success!

Friday, September 28, 2012

Shinies!

A couple of big pieces of news to report.

First, Atticus for the Undead has a new cover! Like all my covers lately, it is done by Steven Novak, an awesome artist who all of you authors reading this should totally use for your covers! I'm super excited about this one, so, without further ado, here it is:


Isn't that gorgeous? Yes, friends, as soon as Amazon finishes uploading it, that gorgeous cover will be on my book!!!

Second, a reader named Hattie Gunter posted a very fair (and so thorough!) review of Weaver on YouTube. I thought I'd promote both my book and her YouTube Channel at the same time by posting it here!


That's all for now, folks!

Tuesday, September 4, 2012

Another Reader Learns The Secret of The Stitch-Faced Man!

The following 4-star review of The Void comes from the book's Barnes & Noble site.

"GREAT STORY LINE BEING DEVELOPED!!

This is turning out to be a pretty good series! I know it has to be, because all I can think of now that I have read the first two back-to-back is how long I am going to have to wait for the next one to come out?

This series has surprised me. I liked the first one (Weaver) a lot, but this was even better. It is an exciting read with action and surprise. The characters have been a little more developed and we are starting to see how the Wells Society got started and why they think they can do what they do (no plot spoilers here!) There is no graphic sex and no unnecessary cursing. There is a little violence and death to deal with, so I think maybe teen and up (no little children). Hope I don't have to wait too long for the next one.

Another indie writer to love and watch for!!!!! Great job Mr. Abramowitz!!!"

Author's Note: S/he even spelled my last name right! Woot!

Saturday, August 18, 2012

Can You Get Rich On 99 Cents?

On this fine Saturday evening, I thought I'd weigh in with my thoughts on the 99 cent price point. This has been the subject of considerable back-and-forth among the indie author community, but I have, so far, stayed out of it. Well, after having been "in business" for a little over a year and experimented with a wide range of marketing techniques, I'm ready to share my experiences.

When I wrote my first two novels, Weaver and Atticus for the Undead, I initially priced each at 99 cents. Having read that now-famous indie authors like Amanda Hocking and Darcie Chan skyrocketed to stardom after pricing their books at 99 cents, I thought that this might be a good way to encourage people to give my novels a try. I was an indie author, after all, who was launching his career during a recession, when people were going to be naturally hesitant to spend money. 99 cents made sense. So, with a deep breath, I gave it a shot.

It was a failure. A rather miserable failure, actually.

The 99 cent price drew few readers, and, what's more, since Amazon only lets you keep 35% of the royalties for books at that price, my profits on the books I did sell were beyond anemic--they were pathetic. I went months and months without a single royalty check to show for my efforts. So what was I doing wrong that Hocking, Chan, and the rest were doing right?

Of course I can't answer that question with certainty. I have no idea what's in the minds of potential readers, and even the most experienced writers and publishers say that there's simply no predicting which books will take off and which won't. Part of the answer may be that my genre (urban-fantasy novels which tend toward the thriller side of things) is simply less popular than the genres embraced by my more successful counterparts. Or it may simply be that I'm just not a very good writer (though for the sake of my ego, I try not to believe this).

But I believe that part of the answer is that there is actually a stigma associated with 99 cent pricing now, related to the stigma that accompanies indie authorship. I think many readers realize that big publishing houses wouldn't charge such a low price for their books--indeed, many traditionally published e-books are, in my opinion, now badly overpriced. Therefore, when potential buyers see a book at that price, they assume it can only be an indie novel, and the aversion to indies kicks in.

So I changed tactics. I marked Atticus for the Undead up to $2.99 (which is still probably cheaper than traditional publishers would charge, but I hoped the price increase would at least eliminate some of the "you get what you pay for" mentality). When The Void (Book 2 in The Weaver Saga) went live, I made Weaver itself free. The results of this move were dramatic--especially this month, now that Amazon has gotten around to price-matching. Copies of Weaver flew off the e-shelves, and The Void has delivered me my single best month of sales yet. It has even outsold Atticus during the months that Atticus was available on KDP Select. (If you're wondering why the "you get what you pay for" mentality kicks in for a book at 99 cents but not a book that's free, don't ask me.)

The lesson I learned? If you want to use low prices to encourage readers to try out your work, just go ahead and make it free. You don't make much money on 99 cent books anyway, and the heightened potential for exposure more than makes up for any losses you do incur--especially if, like me, you write series. I still hope to one day get rich as an indie author--but I won't be doing it at 99 cents.

Saturday, August 11, 2012

Can I Stop The Signal?

Does anyone else find themselves accidentally channeling their favorite fictional characters when they're writing fiction?

For example, I'm sure it will surprise no one who reads this blog to learn that I am a HUGE fan of Firefly. Have been for years. Imagine my surprise when I sat down to write Atticus for the Undead and, quite unintentionally, found that Hunter had become Mal! Now, if you've read the book and watched the show, you'll know that they have little to do with each other. There's no space travel in Atticus, and, though he lives and works in Texas, Hunter is no cowboy. He might own a brown coat, but if so, it's purely coincidental. And yet, every time Hunter said something on the page, it was Mal saying that same thing in my head. (I may or may not have had to stop myself from inserting "gorram" and "shiny" into Hunter's dialogue a few times.)

Similarly, when I was writing Assistant Director Odell Graves, Moira's boss in The Void (Book 2 of The Weaver Saga, Book 1 of which is now free everywhere, by the way), I found that he wanted to sound very much like Agent Broyles from Fringe. (In this case, it probably didn't help that one of my beta readers for the book is a huge Fringe fan and actively pushed me in that direction.) I suppose this one is more understandable since both men are FBI Agents and both are the bosses of the main characters in their respective series'. And I do like the Broyles character quite a lot. But he's not allowed to body-snatch my FBI Agent, dammit!

And then, tonight, as I was working on Identity Theft (sequel to Atticus for the Undead), I was writing an exchange in which Hunter's new client asked him why anyone would ever willingly let themselves be mind-controlled. It took true force of will to stop Hunter from replying, "Some people juggle geese." So not only does Hunter want to channel Firefly, he can't even stick to a single character. Curse him and his zombie-defending ways!

Seriously though, am I the only one with this problem? Do vampire writers ever find their vampire characters talking like Spike or Damon Salvatore? Do space fiction writers ever have Han Solo or Admiral Adama earworming them as they write? This can't be just me--can it?